A bizarre battlefield through which you walk and are struck by the echoes of great and small human drama. Look down the barrel of a soldier's rifle or take cover behind the broad back of the smiling giant....
Folkert de Jong
Folkert de Jong his artworks are populated by colourful and tragicomic figures partying and fighting their way through apocalyptic scenes. Often the characters are borrowed from (art) history. Preferably, he depicts controversial heroes who are given the dubious honour of being looked at and dissected from all sides once more. De Jong also reflects on his own role as an artist. Who, in today's society, has to twist and turn to meet contradictory demands such as social commitment, seduction and commercial success.
The Shooting at Watou
The Shooting at Watou was made in 2006 for the art an…
Folkert de Jong
Folkert de Jong his artworks are populated by colourful and tragicomic figures partying and fighting their way through apocalyptic scenes. Often the characters are borrowed from (art) history. Preferably, he depicts controversial heroes who are given the dubious honour of being looked at and dissected from all sides once more. De Jong also reflects on his own role as an artist. Who, in today's society, has to twist and turn to meet contradictory demands such as social commitment, seduction and commercial success.
The Shooting at Watou
The Shooting at Watou was made in 2006 for the art and poetry festival in Watou. This Belgian village, on the border with France, has been ravaged by war throughout history. The sculpture group consists of elegantly dressed soldiers surrounding a colossal pink figure. The soldiers have their artillery at the ready, the giant raises his arm. Does he want to surrender or mow down his opponents? Or is he waving at the viewer for reassurance?